Showing posts with label Monthly Keyword Reading Challenge. Show all posts
Showing posts with label Monthly Keyword Reading Challenge. Show all posts

Monday, April 08, 2013

Book 42: My Brilliant Friend

The novel and prologue begin when Elena Grecco receives a phone call from Rino, her friend Lila's son, telling her that he can't find his mother.  This disappearance doesn't alarm Elena but it inspires her to look back at their lives, and capture their stories.  As the first novel of an intended trilogy (I believe the second part is available in Italy, and I hope it gets translated soon), this book covers Elena and Lila's childhood through adolescence in their neighborhood in Naples in the 1950s.
Though this novel takes place in a neighborhood in Naples, in many ways it felt like reading about life in a small village.  The majority of the characters are working class and struggle with money though even here there are a few families that stand out as successes, such as the Solaras who own the bar and the Caracci family, who own the local grocery store.  There are hints in the neighborhood that some of this wealth is from less than reputable sources, possibly related to the war.  There certainly is a dark and violent element in the Solara sons.  The novel actually has a list of characters and families in the front which I found very helpful - the Italian names were relatively familiar but still blended together enough in the beginning that I had to refer to it.  Elena's father is a porter, and Lila's father is the local shoemaker.  Neither of them are very well off, but I got the impression that Elena's family had slightly more money than Lila's.
While both girls are very smart, Lila goes beyond smart - she is almost a genius, and Elena spends a lot of time just attempting to keep up with her scholastically.  Additionally, Lila is the brave, bold and adventurous one.  At first, many think of Lila as a wicked child, but Elena falls under her spell, often feeling inferior to her best friend.  Still, while they stay in the neighborhood, their lives also go different directions since Elena's parents allow her to go on to the high school after she completes her school, while Lila stays in the neighborhood, and works in the family's store.
This isn't a novel where a lot necessarily happens, but I really enjoyed reading about the girls' relationship, the different personalities in the neighborhood and how things were changing for them at the time.  Lila is presented as a dreamer in some ways, coming up with plots and schemes to get rich which include writing a novel and designing shoes, and yet she is firmly grounded in reality and much more pragmatic than her friend Elena in many ways.  I'm also very curious to see what happens next given the point where this one ended, and the realization that Elena has made about her and Lila's futures.

Monday, March 25, 2013

Book 38: The Magicians

 
It seems like almost everyone has read this novel at this point.  The reviews I've read have tended to be more positive than negative, though most agreed on the fact that Quentin, the main character, was not very likeable or sympathetic.  As a result, I felt like I was rather prepared for what was coming, and knew ahead of time not to be too frustrated if I disliked Quentin.  Honestly, the first part of the novel, I didn't even think he was that bad.  He was a bit snobby towards his parents because he thought they couldn't relate to him, but I get the feeling there's lot of college students that feel that way about their parents and going home for break, magical or not.  It wasn't until after graduation that he really started to grate on me.
 
Quentin has always been one of the gifted kids, working hard to get the grades and to get into the advanced classes so he will be able to get into the right college.  At the beginning of the novel, however, Quentin suddenly has an unexpected opportunity to take the entrance exam into Brakebills, a magical college.  He passes the exams and is accepted as one of the 20 first years to make up his class at Brakebills, a five year school.  Almost half of the novel chronicles his time at Brakebills, his developing relationships with other students including Alice and Penny, and later the Physicals (basically, the kids are all grouped together after their second year based on their discipline or major).  Alice and Quentin both skip a grade, and as a result aren't quite as involved with the rest of their year group, focusing much more on the other Physicals.  I didn't have any issues with this part of the novel, but at some point, I realized it was taking me much longer to get through than I would have expected, and this may be because there wasn't anything specific going on.  The students go to class, the reader is introduced to the concepts of magic in this world and how much work it is, and then they graduate.  It was at this point, that the novel went from a slow read to an unpleasant experience for me.  After graduating, the alumni have to return to the real world and figure out their lives and what they want to do - there isn't a magical world for them to inhabit, so while there are positions that would involve them working for the magical community, for the most part, if they want to do something with their lives, it involves working in the real world, and maybe using magic to guide certain decisions and policies.
 
Alice, who was my favorite character, decided to remain in New York with the other Physicals and pursue her relationship with Quentin, but she is the only one who still takes an interest in learning, and finding some type of meaning in her life and actions, a fear she has due to her parents.  Quentin and the others, on the other hand, waste their time with drinking, drugs and parties until Quentin and Alice's relationship is incredibly frayed.  At this point, Penny, a student from Quentin and Alice's original year group, shows up and announces that he has found a way to get to Fillory, a magical world all of them are familiar with due to their childhood love of the novels set in Fillory.  Fillory is of course an allusion to Narnia, saving Grossman the time of creating a new world from scratch since he can rely on his readers to fill in the blanks.  Yet even as the characters plan their trip to this magical land, I wanted to shake all of them.  Only Eliot really seems to get it, while the rest speak of becoming kings and queens, of riches they could gain, and discuss the possibilty of bringing guns into a land that doesn't have them.  When they are finally in Fillory, I quite enjoyed one local character's comment when they start getting unhappy with the outcome there, which was basically, "we didn't want invite you, we didn't want you to turn our home into your little fantasy land."
 
Basically, as a story, the novel wasn't as engaging as I'd hoped, partially because the characters' inability to figure out their lives really irritated me.  There's a reason I haven't read On the Road.  However, some of the points within the novel aren't bad, and Grossman basically portrays Quentin as an unhappy character that relies on circumstances to make him happy rather than to find something on his own.  He also has a hard time taking responsibility for his actions, and has a few somewhat sexist or misogynist moments.  Overall, I didn't dislike it, I just found some of the characters frustrating (loved Alice, though), and wish it had sucked me in more than it did.  It was basically the definition of an okay book - it wasn't good, it wasn't bad, there was definitely some potential and good parts but not quite enough.

Monday, March 18, 2013

Book 35: Black Swan Green

 
I've read Cloud Atlas, Ghostwritten and The Thousand Autumns of Jacob De Zoet by David Mitchell, and enjoyed them all thoroughly.  Despite this, I have been in no rush to pick up Black Swan Green.  I assumed it would be good but I still wasn't quite that interested in reading a coming of age novel.  Also, I've noticed there are some authors that I feel like I have to read their whole backlog as soon as I discover them, while others I slowly get back to, even if I loved the novel I read.  I am not sure what determines the distinction, but I think it might also be that as I get older, I don't always rush out as much as quickly unless it's the beginning of a series.
 
Jason, the novel's thirteen year old narrator, is one of those kids that doesn't quite fit into any of the cliques.  As the novel begins, he is not popular but he isn't unpopular or an outcast, either.  The novel covers about a year of his life, and each chapter felt like it took place in a different month (I think there are thirteen so that's not completely accurate), sometimes referring to events in previous chapters, sometimes not.  Jason doesn't fill in all the blanks between one chapter or another, so in some cases it is up to the reader to guess what may have happened in the last few weeks, but the novel certainly seems to address the highlights of Jason's life that year.  Jason has a few fears in his life - he writes poetry that gets published under a fake name, and if anyone were to ever discover this, his social life would be ruined.  He also has a stammer which is different from a stutter that he has mostly been hiding from the kids at school by avoiding trigger words as much as possible.
 
The novel takes place in 1982, so there are references to old videogames, the Falkland Wars and other cultural pieces from that time.  While Jason is mostly a sweet kid, it took me a while to get into the novel and to actually care about the middle school politics and rules of popularity.  One chapter in particular just involved him walking around in the woods, searching for adventures, and I was just about ready to give up on the story.  In the first half especially, I was more interested in the adults in Jason's life, the undercurrents between his parents that he doesn't quite understand, and I liked being able to compare his interpretation of events to what was actually going on or what Mitchell wanted the reader to think.  The turning point in the novel for me was when an older woman in the town takes an interest in Jason's poetry, and she discusses a composer Robert Frobisher while playing his sextet that is now unavailable for purchase.  If you've never read Mitchell before, she will just be an eccentric old woman but if you've read Cloud Atlas you'll recognize the names and the connection so I quite enjoyed that shout out to his readers.  Another one that I caught was that the DJ played "number nine dream" at a school dance, which happens to be the title of a Mitchell novel I haven't yet read.  There may very well be other connections to the author's other works, but those were the two in particular that struck me.  After the Frobisher chapter, I was much more involved in the story, especially since it soon becomes clear that there has been a shift in Jason's social standing at school as he has clearly dropped down from his precarious position in the social rankings at his school.
 
Overall, it wasn't a bad novel at all, but it's just not really a topic I'm generally that interested in.  While I liked Jason, it took me a while to really care about the character and what was happening to him and around him.  However, once I became engaged, I quite enjoyed it.  However, I don't think I would recommend this as a starting point to a reader new to Mitchell unless they also happen to be into stories about young boys/teens growing up and dealing with life.

Monday, March 04, 2013

Book 29: City of Dark Magic

 
When I read the description of this novel, I was both intrigued and worried.  It sounded like fun, but it also kind of sounded like A Discovery of Witches due to the mix of characters and European setting.  And I didn't like A Discovery of Witches very much, a novel which took a fun concept and dragged it out with too much description and a boring main character (in fact it was one of my more scathing reviews last year).  Still, this novel was set in Prague, so I was cautiously optimistic.  I love Prague!  Also, once I realized that Magnus Flyte is actually a pen name for two authors writing together, one of whom I like (at least I liked Meg Howrey's novel The Cranes Dance), it made me feel even more reassured.
 
Sarah, the main character, is a grad student focused on Beethoven and brain activity related to music.  She receives an invitation to assist with the creation of the Lobkowicz Museum in Prague now that the castle is back in the hand's of the heirs following confiscations by the Nazis and then the Communist government.  The seventh Lobkowicz was one of Beethoven's patrons, so she is excited about the opportunity though not quite sure why she was chosen.  She soon discovers that her mentor and thesis advisor is actually working on the project and the reason she was invited - unfortunately by the time she realizes this, he is already dead in Prague, an apparent suicide.  In addition to exploring the collection for letters and references to Beethoven, she now also wants to investigate the death.  She also gets caught up in intrigue and espionage dating back to the KGB's presence in Prague, and some secrets that a certain American senator would rather keep hidden.
 
The cast includes various eccentric and quirky academics, all of whom are working on various aspects of the collection, such as a woman who studies 17th century women artists, a Lesbian weapons expert from Texas, and various others.  Sarah's friend Pols, a blind child prodigy, manages to make herself a part of the intrigue through sheer force of will.  Prince Max, the current heir who is responsible for bringing them all together, also keeps showing up, and may have more knowledge about the professor's death.  Sarah finds herself drawn to him though she feels he may be keeping some things from him.  There is also Niccolas, a dwarf, who works for or with Max, and seems to know quite a bit abot various things.  Personally, I wouldn't have minded a whole novel just from Nicco's perspective.
 
Overall, it was an amusing story, though I wonder about the marketing.  It seems like many of the negative reviews are from people who were expecting another A Discovery of Witches.  This novel is far more humorous, though there were parts that were kind of gross (eating toe nails for their drug residue).  In fact, some parts of the humor reminded me more of Chris Moore than a romantic novel.  There is of course a love story - it has a prince after all, but even with that, some of the sex scenes seemed like something Chris Moore would describe.  I know some people didn't appreciate the sex or the fact that Sarah hooks up with a guy in a bathroom within the first few chapters, and while I wouldn't encourage that kind of behavior, I also found it very refreshing to have a heroine that was not only sexually active, but also sexually aggressive and not afraid to take or ask for what she wanted.  It just gets irritating sometimes when the characters are in their twenties or older, and are still virginal or have never had good sex.
 
The novel was far from perfect and the plot was a bit convoluted at some points with the two different plot angles (which converge a bit, but not completely).  The ending also clearly left the possibility of a sequel open.  Overall, I don't think I'd run around recommending this but I certainly preferred it to other novels, and it was entertaining enough.  I also think there is potential if these authors continue to write together because I would say the things I liked outweighed the things I didn't care for as much.

Wednesday, February 27, 2013

Book 26: The Descendants

 
Like probably everyone else, I heard of this novel when I heard about the George Clooney movie, and it just didn't interest me.  I honestly couldn't tell you the last Clooney movie I saw - probably one of the Ocean movies.  He seems like a charming nice guy, but I just don't quite share the same opinion about his appeal as everyone else.  Thus, if anything, Clooney's involvement made me slightly less interested.  After all, it sounded like a simple enough story.  While that is the case, I couldn't believe just how much I enjoyed this novel.  It was just very well-written, very realistic, and it didn't seem like it provided easy answers.  It is obvious how the narrator, Matthew King, has been deluding himself, how he has been an absent father, but he shares enough for the reader to make their own judgements and decisions.  Since I had finished The Tiger's Wife before reading this, I appreciated a narrator and character that I could feel connected to.  While I didn't agree with everything King did or has done, I understood his reactions, I understood him, and I cared for him.
 
The novel begins in the hospital during a daily visit to the hospital to see Joanie, Matt's comatose wife.  His ten year old daughter Scottie seems afraid of her mom though Matt keeps trying to get Scottie to talk to her.  Joanie, a model, has been the primary care giver and decision maker in her daughters' lives, and Matt has let her call the shots.  Now that he finds himself responsible, he is shocked by Scottie's actions, and also tries to change things.  Alex, his older daughter, is away at boarding school as punishment for a drug problem and due to an argument with Joanie.  The girls portrayed in this novel have issues, and it is clear that they aren't simply the result of a mom in a coma, or being spoiled rich girls.  As the novel reveals more and more about Joanie, the picture is not necessarily flattering.  Her friends and family love her, she was smart, sarcastic, adventurous and beautiful, but it also meant the girls had no idea how to live up to their mother.  After all, her coma is the result of a boat racing accident, another example of Joanie's zest for life.  How does one deal with being plain, or cautious when growing up under a shadow like that?  Matt believes that he and Joanie teased each other a lot, but that they loved each other and that she was self-sufficient.  However, the more the novel reveals, the more it leaves one to wonder how many of her comments were inside jokes and how many were real complaints that Matt ignored.
 
When Matt finally has to face the idea that Joanie won't recover, he gets Alex out of boarding school, and gathers friends and family.  In this process he makes a discovery about Joanie he has been trying to avoid despite clues.  Amidst all this, Matt also has one big business decision to make.  As a descendant of the last princess of Hawai'i, he and his extended family have owned a large amount of land under a trust, and they now have the option to sell their land and inheritance, leaving the question of who to sell to, and how it will be developed.  Basically, with his wife's coma, Matt is facing decisions and questions involving the future of his family as well as the past and their legacy.  While it is hard to say what will happen to the Kings, it ended on a hopeful note, and left me wanting things to work out for all the characters involved.  I enjoyed the fact that even though Matt was the narrator, the novel provided some other perspectives, and that he included his flaws, giving the reader his view of things but still letting them infer the reality.  I know I'm way behind the crowd on this, but I'd definitely recommend checking this one out.  Maybe I'll even watch the movie now.

Book 25: The Tiger's Wife

 
I never know about award winning novels: on the one hand, the awards occasionally introduce me to amazing novels I wouldn't have noticed otherwise but sometimes their opinions and mine just don't mesh.  That is somewhat the case when it comes to The Tiger's Wife.  Tea Obreht is originally from Serbia, one of the countries that was once part of Yugoslavia, before war and bloodshed.  Her novel deals with war, conflict, ethnic differences, and tells the story of coming of age in an unnamed war torn city.  And while I feel like I should care about this, I had a hard time actually feeling that way.  I felt too distant from the narrator, Natalia, to truly care what was going on with her specifically.  At the beginning of the novel, she is enroute to give vaccines to children in an orphanage when she finds out that her grandfather has died in a random village, confusing his family.  Though accompanied by her best friend, she keeps the information to herself and seems rather numb.  For the rest of the novel, she reflects on her childhood, growing up with her mom and grandparents, the war, and the stories her grandfather used to tell as well as the stories of her grandfather she learned later in life.
 
Natalia remembers visiting the tigers at the zoo with her grandfather until the zoo was closed down by the war, though she never quite understood his interest in them.  While I was never completely drawn into the modern day part of the story with only a few exceptions, I quite enjoyed the vignettes and two stories that played such an important role in Natalia's grandfather's life.  One of these is the deathless man, whom the grandfather comes across at various times throughout his life, a man who cannot die and also ends up playing a small supporting role in the tiger's wife story, though it isn't clear if the grandfather knew this.  The tale of the tiger's wife was a beautifully written fairy tale like story set during the World War II, and is about her grandfather's village and a tiger that escaped from the city's zoo during bombing, making its way north.  It is sad, tragic and poignantly written.  The characters are written with redeeming qualities or enough of a backstory to give them some depth, even the ones that end up playing villainous roles.
 
If the novel had stayed in the past, I would have easily said that this was a good novel and recommended it (though I wonder if part of that was simple manipulation - of course, I'm going to feel lots of emotions about an abandoned tiger; I think most people would agree with me that an animal's struggle in a book or movie is almost always more moving than a person's).  Unfortunately, I didn't like the parts set in the modern day or even the previous decade of warfare. It just felt like it could have been so much more but I was apathetic to the main character and her family.  Every once in a while there is an interesting glimpse into their daily lives, but mostly she portrays herself as a dissatisfied teen that grew up to become a doctor like her grandfather.  Additionally, while I enjoyed the stories, the overall narrative is a bit disjointed as a result.  Natalia uses these stories to explain and understand her grandfather but I would have preferred him as the narrator in that case.  In fact, I think that would have been a better novel - the grandfather's perspective of his life and the war.  Basically, I don't quite understand all the attention this novel received - I was emotionally invested for half the novel which may be enough for a lukewarm recommendation but not for an award winning novel.  Natalia was too disconnected from her surroundings and as a result, I was disconnected from her.

Tuesday, February 19, 2013

Book 23: Midwives

 
While I have enjoyed every Bohjalian novel I've read (though if you are new to him, don't start with The Night Strangers), I was in no real hurry to pick this novel up.  I think sometimes I'm hesitant to read older novels by some authors, afraid they won't be nearly as good as their later work (for example, I really didn't like Chabon's The Mysteries of Pittsburgh), even though some people peak early and can never recapture the magic of earlier novels.  Maybe it was just the fact that the premise of the story didn't interest me as much because I don't plan on having kids or giving birth or anything like that.  Once I picked it up, it was just as good as any other one of his novels.  In fact, I'm kind of surprised he doesn't seem to be a more popular author - his novels have covered a variety of topics, always focus on the characters and their relationships, and some have twists, but since not all of them have twists, I'm not reading the novel expecting a twist, and am instead pleasantly surprised when there is a twist, adding an extra layer of complexity to the narrative I thought I just read.  Given that this particular novel dealt with court room drama, I especially found myself thinking Jodi Picoult fans should totally read him though his novels are better told and written.
 
Connie Danforth, the daughter of midwife Sybil Danforth (she is a lay-midwife, not a nurse midwife) and Rand, narrates the novel several years after the events that are the focus of the story.  In 1981, Sybil attends a homebirth for Charlotte Bedford, and though she originally expected no complications, the labor takes a long time, the expectant mother is exhausted, and Sybil considers transferring her to  the hospital.  Unfortunately, there is also a terrible winter storm that night in March, and the phones are out and the roads impassable - they are stuck in that bedroom in the isolated house in Vermont.  Eventually, Charlotte dies, and Sybil does an emergency casearean to save the baby.  However, Sybil's new assistant and midwife apprentice Anne doubts what she saw, and starts making phone calls to people, implying that Sybil did not save a baby from its dead mother's body - instead, she cut into a living woman, thus killing her.  The rest of the novel examines the after effects of these two very differing views of the events of that evening.
 
Sybil Danforth soon finds herself under investigation, and pressed with charges of involuntary manslaughter and practicing medicine without a license.  Of course, the trial is about much more than how Charlotte died.  It's about two competing views of life and childbirth.  While Charlotte's death could have been seen as unfortunate but an accident, it becomes part of a political agenda - the medical institution vs midwives.  I don't know how divisive of an issue this still is, but I think that as early as my high school AP history class, I was already introduced to do the idea of doctors villainizing midwives due to a documentary about a 18th century midwife whose journal had been discovered.  At first, doctors had no interest in birth since such womanly things were beneath them; however, slowly, the medical profession gained more prestige, and doctors realized there was money to be made, even though in many cases they had no idea of some simple home remedies and instead relied on bad science with no bed manner.  As a result, it added a certain amount of background and depth to this simple story about three women - Charlotte, Sybil and her daughter, Connie.  As a result of this prior knowledge of midwives and women's treatment in medicine (based on various women's studies classes), I found the portrayals here particularly interesting, even though the topic of childbirth in general isn't really something I care about on a personal level (I don't plan on having kids, even if I did, I doubt I'd have a homebirth although that has less to do with fears of something going wrong - though my mom was in labor for 28 hours - and more with the fact that I don't understand why people would want to ruin their own sheets and mattresses when they could mess up the ones at the hospital; I realize that is probably juvenile and somewhat shallow reasoning).
 
Since the story is told from hind sight, the novel reveals different pieces at different times, so that the reader knows about the eventual trial before they know about everything that happened that night.  The whole time I was waiting to see what the trial's outcome would be, and Bohjalian wrapped up the novel in a very satisfying way, giving voice to both sides of the debate, though it would be impossible not to feel for Sybil.
 

Tuesday, February 12, 2013

Book 20: My Cousin Rachel

 
As much as I loved DuMaurier's novel Rebecca, in ways it has made me more hesitant to pick up more of DuMaurier's novels, afraid that they couldn't possibly live up to Rebecca.  I have had this novel for awhile now (in fact if Amazon is to be believed, I've had this novel for over three years, meaning it's moved with me from Germany to Virginia to Georgia to Illinois/Iowa) but the monthly keyword challenge is what finally inspired me to actually sit down and read it since it has a word related to the February keyword "family" in it.
 
My Cousin Rachel, like Rebecca, is a gothic novel, and this one is set in some undetermined time in 19th century England - a time when people used carriages and horses to go into town, when a letter from a different country took over three weeks to arrive, and telegrams and trains don't seem to exist or be in common usage yet.  The narrator, 24 year old Philip, has been raised by his cousin Ambrose in a house without women.  Ambrose was a bachelor for life, and didn't need any women around with their desire for order and cleanliness, and as a result, I didn't get the impression that Philip or Ambrose really understood them at all.  Due to health issues, Ambrose spends most winters on the continent, until one winter he visits Florence to explore the gardens, where he meets Rachel.  Philip only hears everything through letters, long delayed and occasionally sporadic, but Ambrose and Rachel get married, Ambrose extends his stay in Florence, and Philip feels jealous and neglected.  Eventually two letters arrive from Ambrose, both odd, alluding to illness, and carrying a certain tone of paranoia regarding Rachel, calling her his torment, claiming that she is watching and monitoring him.  Philip, being the loyal cousin that he is, races to Florence, only to discover that his cousin died three weeks previously, the letter only arriving after his departure, and Rachel has left the villa and the town.
 
Upon his return home, the will declares Philip heir to everything though he must remain under his godfather's guardianship until 25 years of age to ensure he is of sound moral character.  Philip blames Rachel for his cousin's death, thinking her a murderer, and is rather shocked when he hears she plans to visit his home soon.  Planning to confront her, he instead becomes fascinated by her, the woman in question not looking at like the woman he created in his mind.  During her stay, the reader continues to question what is going on.  Did Rachel poison Ambrose or did he die of natural causes?  His behavior was odd but Ambrose's own father died of a brain tumor with similar changes in attitude and personality.  I think this was the biggest difference to me between Rebecca and My Cousin Rachel - in Rebecca, I very definitely wanted to know about the past, and what mystery was being hidden on the grounds of Manderley while in the case of My Cousin Rachel I was more interested in how the relationships would develop.  Was Rachel a conniving murderer and opportunist?  Is she completely innocent?  Or is there some compromise between the two, where she may not resort to murder, but is certainly willing to manipulate people and situations for her benefit?  The interesting thing is that in a way I didn't even care because I actually quite liked Rachel, even though I was only getting Philip's perspective of her.  I didn't completely trust her, but I prefered her to Philip.
 
Even though he is the narrator, Philip does not come off in a good light at all.  Given his upbringing, not only does he not seem to understand women, he also has some views that could only be described as sexist and misogynistic, and not simply in the "he's a man in the 19th century" way.  Of course, I'm going to judge a character when he owns a library and says he doesn't spend much time reading.  He talks constantly about how awesome bachelor life with his cousin was, and how women just get in the way (of what?  your reading time that you don't use?  your hunting that you also don't seem to do?  walking around the estate restlessly?); he is also incredibly sheltered, having only ever left the estate to go to school, and then returned to the family home.  This isn't necessarily a bad thing but Philip seems to take glory in his unworldly ways, his lack of culture and also displays a certain amount of xenophobia (against those crazy Italians), showing little to no interest in expanding his horizons.  He often acts like a petulant child and is unwilling to take advice from others.  At first, he is ready to judge Rachel based on the letter from a sick man; later, when there is indeed reason to question her motives, he refuses to take anyone's advice and makes dramatic, thoughtless decisions.  Men in the novel refer to Rachel as impulsive repeatedly but as Philip's godfather rightly points out, that word applies just as much to him.
 
DuMaurier doesn't exactly give straight answers in this novel either - the end itself is up for question, and it's up to the reader to decide what they believe about Rachel, Ambrose and Philip.  From other reviews, I think I may have taken a more favorable view of Rachel then some others, but Philip honestly just pissed me off.  However, I think it worked for the novel because I wasn't rooting for him, and even I was questioning his decision making process in regards to Rachel.  Hopefully, it won't take me three more years to read another DuMaurier novel (is Jamaica Inn a good follow up?  I already have that one at home).

Monday, February 11, 2013

Book 18: The Forty Rules of Love

 
In retrospect, I don't think I've ever read anything else by a Turkish author before.  I tried to read Snow by Orhan Pamuk but gave up halfway through because the story seemed to be going nowhere at a snail's pace.  I am not sure why I bought this book.  It was definitely one of those that I picked up because it was highlighted in some way at the book store, only to realize that somehow the description I thought I read in the book store and the description I read at my house sounded like two completely different novels.  Mysticism?  Spirituality?  Wait, this isn't a romantic love story?
 
Anyway, having finally found some motivation to actually read this, I was pleasantly surprised by the novel, though in the end I also think it will end up being somewhat forgettable.  Ella Rubenstein, a forty year old New England housewife, has to read the unpublished novel Sweet Blasphemy as her first assignment for her new job with a literary agency.  The actual novel ends up flashing back and forth between Ella's life and the novel within the novel.  Sweet Blasphemy is the story of Shams of Tabriz and his friendship with Rumi, famous Persian poet and mystic.  When it begins, Shams, who has visions, realizes it is time to give up his solitude as a wandering dervish and to find a companion, someone whom he can teach all he has learned in his life and converse with.  He hears that the famous cleric Rumi is in search of a companion because while he is successful and has everything he might need in life, he still feels unsatisfied and unhappy.  Shams goes to Konya (in present day Turkey), and he and Rumi quickly strike up a friendship, with Shams challenging Rumi to see life in a different way and interact with the types of people he had never come into contact with before, including beggars, drunks and prostitutes.  At first, I had my doubts about this section, especially when I realized that Sweet Blasphemy was actually going to contain all forty rules of love - every time something would remind Shams of a rule, he would tell that person, "that's like one of the rules" and then quote it.  While it seemed very gimmicky, especially in the beginning, I actually ended up quite liking the historical novel part of this book.  The section are narrated by various people, including Rumi, Shams, Rumi's family, and various townspeople, and seeing the conflict that Shams brought into the town and the family was quite engaging.  The poor loved Shams, the rich and powerful felt he was challenging their status, and Rumi's family wasn't sure how to react - happy for Rumi, yet feeling left out and neglected.
 
The modern day story wasn't bad but Ella was a very bland character.  Due to her interest in the story that Aziz Z. Zahara is telling in Sweet Blasphemy, she googles** him, finds his blog and begins an online correspondence with him.  Ella has always been the kind of person that just goes with it, but she is now realizing that she isn't happily married, and she isn't in love with her husband anymore.  While I had no problem with her internal journey, I just didn't quite get her fascination with Aziz, a photographer and Sufi.  Honestly, Aziz sounds like one of those guys that might be cool in a novel but I would find him obnoxious and insufferable in real life.  I understand Ella's interest in him given how huge a contrast his life is from hers, but I couldn't quite see his interest in her, other than simply being a nice guy which is enough for a friendship, but not a love story.
 
Overall, this really was much better than I expected - while there is more religion than I would normally choose in a novel, it didn't seem overly preachy.  It was also somewhat new agey and the principles themselves were less about any particular religion as much as they were about god - as I said, those things are fine to see in a novel every once in a while even if I wouldn't actually want to hang out with anyone with New Age believes.  One of the author's previous novels was long-listed for the Orange Prize a few years back, so I definitely think I might check that one out, especially since that one is less focused on the mystical and spiritual based on descriptions.
 
*I know I usually link to Amazon but for some reason the novel is showing up as $199.00 on Amazon.
** Am I the only who thinks the fact that Gmail's spell check doesn't recognize the word "googles" is amusing - I could see Yahoo or MSN being against the word.

Friday, February 08, 2013

Book 17: Black Hearts

 
I've been meaning to read this book since I first heard about it three years ago when a friend of mine who had previously been stationed at Ft. Campbell was looking for it at Barnes and Noble.  She actually knew one of the Soldiers mentioned in the book, though I can't remember who specifically it was or what that person's role had been.  Still, knowing myself and how bad I am at actually reading things that could be considered part of my professional development, I waited for the book to come out in paperback before purchasing it, and then let it languish in my to read pile for a long period of time.  Last spring/summer, my BDE CDR at the time had all the company commanders read and watch War and Restrepo, and then had us get together to discuss them.  He said he planned to do it again, and that the next book would be Black Hearts.  I PCS'ed before that session occurred, but it was good to hear that my BDE CDR thought this would be a worthwhile read, especially since I already had the book.
 
I finally got around to reading it this month, and I have to say I really enjoyed it.  In fact, I prefer this book to Sebastian Junger's War, though War is the one I've seen referenced much more often and is definitely more well known.  As Frederick writes in the foreword, in June 2006, the kidnapping and killing of three US Soldiers made headlines in the United States.  Only a few weeks later, four Soldiers were implicated in the rape and murder of an Iraqi family.  It was only later that Frederick realized that both of these new stories involved men from the same platoon.  As a result, he became interested in discovering what exactly was going on in that one group of about 35 men that would lead to two events like this.  He begins by tracking down the men of 1st Platoon and interviewing them, but as his research and conversations progress, his circle widens, first to include interviews with men in the other platoons in the company, to discussions with the other companies in the battalion, and of course the battalion and brigade leadership.  He also talks to the Iraqi family's surviving relatives, and other Iraqis.
 
This book presents a rather clear picture and analysis of what happened over the course of the deployment to Bravo Company's 1st platoon.  He does a very good job of giving a balanced view, showing different perspectives and interpretations of events, and also letting the men speak for themselves.  As the events progress, it becomes clear that in many ways the platoon was dealing with the same kind of stuff as everyone else in the area but Bravo and Charlie Company both had the rougher areas of operation.  Initially, there wasn't anything too noticeable that distinguished 1st platoon from the rest of Bravo's platoons, though they did have younger leadership.  However, the platoon managed to get on the BC (battalion commander) and the sergeant major's radar early on for what they saw as lack of discipline, and from then on 1st platoon always faced more scrutiny.  In and of itself, this may have led the platoon to feel a bit more isolated or develop a "us against them" attitude, but when added with other factors they faced during the deployment, it became something much worse.  Circumstances and events piled up to lead to catastrophic events.   While all the platoons and companies had casualties, this platoon had some very critical ones within the first few months, losing personnel in key leadership positions.  As portrayed in the book, at this point, the platoon could have used an encouraging word from the battalion leadership, but instead received diatribes about how they were ate up and to blame.  In addition to combat losses, the platoon sergeant was moved and replaced, and the platoon had three different platoon sergeants between the end of December and the beginning of February.  None of this would have helped the men have any type of stability.  This doesn't excuse the actions of a few, and Frederick doesn't try to do this - instead he attempts to explain what happened, how it was even possible for four Soldiers to leave their posts and rape and kill a family, and places the incident in a larger context.
 
While I have been fortunate to have rather low key deployments, and I have always been on the support side of things (at my last duty station, I was in the support battalion of a light infantry brigade, but most of my daily interactions were with other loggies (logisticians)), I could definitely relate to some of parts of the book.  I completely understand the idea of not feeling like there are enough Soldiers to complete all the taskings, and having to deal with whether that was because my company was overburdened or because I wasn't managing personnel correctly - in the Iraqi Triangle of Death, this of course led to some huge issues.  While I could understand why the battalion might be telling them that they had enough personnel but weren't using them effectively, I still wondered why one of the senior staff couldn't have sat down with the companies then and provided some mentorship, going through the troop to task with them and show them how to use their Soldiers.  I could also relate to the different types of leadership styles I saw in the book.  CPT Bordwell, the Alpha commander, mentioned that when LTC Kunk arrived at the battalion, he was a huge change from their previous BC.  The previous one may have asked what the company was doing and be happy with "Army training, sir" while LTC Kunk would ask for specifics, such as how many water cans a company had.  It wasn't until later that Bordwell realized how important these other pieces were.  As a result, I can see where Kunk was using this to make a teaching point, but his approach made many people feel belittled.  I have also experienced a similar change in leadership, going from a more hands off approach to a detail oriented on; unlike Kunk, though my BC could be hard, he also was approachable, especially one on one, and he knew when the Soldiers needed a supportive word.  While in the end, the higher headquarter elements attempted to shift all the blame to the platoon and company level, it is also clear that some of the problems were leadership levels at a higher level.  Battalion and brigade failed the men, not listening when told that the platoon was combat ineffective following several casualties in December.  The Bravo commander cared about his men, but is portrayed as someone that became afraid to make decisions, and would spend far too much time in the TOC, afraid to miss anything.  While it is a leader's job to take care of Soldiers, there also must be a line where the leader takes care of himself - at some point, if the leader isn't sleeping or taking a few minutes for himself every once in a while, he will become ineffectual - you can't take care of anyone else if you are completely neglecting yourself.
 
I would definitely recommend this - I know I've seen tons of reviews for War on CBR over the years, and I think this would be another great book to read that talks about military culture, leadership and leadership failures, and some of the more challenging parts of modern warfare.  Personally, I think he explained the military acronyms and jargon very well, and the back of the book included a list of the different people mentioned by the unit they fell under which made it very helpful to remember where they fell in the grand scheme.  Of course, I don't know how accessible it will be to a civilian with no military experience, but it is worth a read.

Monday, February 04, 2013

Book 16: The Traitor's Wife

 
Originally published as The Wolves of Andover, this novel is a prequel to The Heretic's Daughter.  The heretic of the previous novel's title is the wife in this story, and it makes sense that they changed the title to reinforce the connection between the novels.  While I quite enjoyed The Heretic's Daughter, and how it explored life in a small community during colonial times, this novel was oddly structured.  Kathleen Kent is descended from Martha Carrier, one of the women to die during the Salem Witch Trials, and this novel attempts to give more of her back story.  The novel itself is fiction though inspired by family and local legends, including the question of Thomas Carrier's possible role as executioner of King Charles for Oliver Cromwell.  The problem seems to be that Kent decided that the courtship between Martha and Thomas wasn't enough for a full novel, and added in a story of political intrigue.  While she is probably correct in believing that the actual courtship couldn't have been expanded more, personally I think there would have been other ways to approach this, focusing on colonial life, even if it had simply been telling the story from a few more perspectives such as Patience, Martha's cousin, or Daniel, Patience's husband, for example.
 
Instead, the novel goes back and forth between chapters focused on Martha and chapters focused on King Charles II's special mission to track the traitor that killed his father in the Colonies.  Though Charles II has pardoned most of the people involved in the English Revolution, that pardon did not extend to people directly involved in his father's death, including judges and executioner.  Many of these are suspected to be hiding in plain sight in the Colonies but no extraction attempts have worked.  A spy master decides to send a group of five men to sneak up on Thomas Morgan, the executioner, suspected to be Thomas Carrier, and bring him back.  Unfortunately, the men chosen for this mission are a bunch of rough untrustworthy thugs so these chapters read more like a comedy of errors without the humor.  The story didn't add to the tension for me at all, because it just seemed like this mission was doomed for failure given the men's incompetence, not to mention that this is a prequel.  Additionally, each one of these chapters is told from a different perspective which also prevented me from getting too wrapped up in the story, given the lack of narrative continuity.
 
The novel was strongest when it focused on the story of Martha, the strong willed and sharp tongued daughter who gets to sent to her cousin's to work as a servant - and hopefully, meet a man that hasn't been driven off by her sharp tongue yet.  Martha is hard and harsh.  While I enjoy strong women, it took me a while to get used to her because in the beginning her behavior bordered on mean.  As I adjusted to the character, however, and she adjusted to her new surroundings, I became more interested in this part of the story.  Her relationship with Patience and its slow disintegration is well-written and very believable.  Unfortunately, as I said the novel was too mixed up about what it wanted to be - it failed as a story of intrigue but had too much in its pages to be a simple tale of domesticity and life in the colonies.  I wouldn't recommend this one unless the person has read Kent's previous novel and really needs to see how this went for themselves.

Monday, January 28, 2013

Book 12: The Winter Ghosts

 
I try to be much more discerning about books I purchase nowadays, meaning I'll get a pile together, and sit at the cafe with some coffee, read a few pages to see if I like the writing style while also looking at ratings on Amazon or Goodreads.  I don't do it with every book, and sometimes I like the premise of the novel so I'll just decide to give it a chance without the screening process, but I figure I need to stop buying so many books that then end up in my growing to read pile (actually I have a to read pile that I really consider books I want to read soon, and then a whole other, larger stack of books that I have and will read eventually if that makes any sense).  I bought this one over a year ago, before I had started being quite so picky because it mentioned World War I in the description.  I read a lot of novels about or related to World War II, but World War I interests me as well; I just don't think it grabbed the American imagination in quite the same way and don't always see as many novels or books in general on the topic.  I just couldn't get into this novel a year ago but I think that had more to do with my mood at the time.  Due to the Keyword Challenge, I decided to give it another shot this month since it contains the keyword "winter" in the title.  I looked it up on Goodreads before I started reading only to discover that this was a ghost story!  You'd think maybe the word "ghosts" in the title, and the fact that the back description talks about people being haunted would have clued me in, but I thought they were metaphorical ghosts and that people were haunted by the past, not by actual ghosts (also I never read the quotes from magazines or other authors because just like movies, there is always going to be someone willing to say positive things about even horrible novels).  I'm glad I figured that out before I started reading this, because it definitely would have been unexpected and surprising otherwise.
 
Bones and shadows and dust.  I am the last.  The others have slipped away into darkness.  Around me now, at the end of my days, only an echo in the still air of the memory of those who once I loved. (p. 9)
 
I am having a hard time really deciding how I felt this novel.  The majority of the novel is a flashback to 1928 in the French Pyrenees area, though it opens and closes in 1933.  In 1933, Freddie enters a bookstore because he wants its owner to translate an old piece of parchment written in Occitan for him.  The rest of the novel is his explanation of how this document came into his possession.  In 1928, our 27 year old narrator is traveling through France, still grieving his brother's death which occurred 11 years before.  Freddie was too young to fight in World War I, but his brother and a majority of his unit were killed in battle in 1916.  As the second, much younger brother, Freddie never had a substantial relationship with his parents, and George's death hit him especially hard, though he was unable to get any comfort from his parents.  He is now drifting, trying to move on but also not quite wanting to let go, and unable to understand how everyone else can be looking forward, to the future.  He understands that his grief isn't unique, that just about everyone lost someone in this war, but he still feels isolated and disconnected.
 
Following a car accident, Freddie ends up in a small village, Nulle, off the beaten path, and is invited to the yearly festival that happens to be occurring that night.  While at the festival, he meets a woman, Fabrissa, and feels more interested in his surroundings and life than he has in a long time.  He is completely fascinated by Fabrissa, enjoys their conversation, and eventually they share their stories of loss.  The novel is very slow moving, meandering even, and the ghost story and plot are incredibly obvious and straighforward to everyone but Freddie.  The author does have a nice turn of phrase, and while the novel is 263 pages, given the amount of indentation on the pages and the font size, it really is probably only half to two thirds that long.  On the one hand, it's almost impossible to say much about the story without feeling like it's a spoiler but on the other hand it doesn't feel like a spoiler because it is obvious what is going on.  I've seen many reviews describing this as a classic ghost story, and while I get that, I prefer my ghost stories with a little bit of mystery.  I like the ones where the protagonists have to do research to determine the identity of the spirit, and then more research to find out what happened to that person.  They don't have to be scary, but as I said, I like that sense of revelation as the story progresses.  The reason I think this is labeled as a classic ghost story is because Freddie finds himself transported into a different time, witnessing events (even if he doesn't realize it), and I at least got the sense that this was a "one night of the year" kind of situation.
 
In medieval times, the Pyrenees served as a type of center and refuge for Cathars, members of a heresy that the Catholic Church disagreed with, and this faith group was eventually persecuted to extinction.  While Mosse alludes to the region's history, she doesn't explain much.  I thought that was fine for the novel itself, but when she discusses her inspiration for this story in the afterword, I wished she would have added a paragraphs or two about what the Cathars actually believed, what their heresy was etc.  I looked on Wikipedia and it didn't give much of an answer instead focusing on the wars and the persecution, not so much what they were being persecuted for - I gather this is partially because the Catholic Church did such a good job of rooting them out and destroying them that not too many specifics are known.  Overall, I think this novel would have worked much better as a short story - there just wasn't quite enough there to justify an entire novel (and as a matter of fact, this is actually the author expanding on a short story she had previously written).  What is there is very straightforward, though I kind of liked it.  I would also say while Freddie was a bit longwinded and needed to get to the point a bit more quickly, there are some rather well written sentences in here.  While I don't think I'd recommend this one, I am still curious about the author's other novels.  I am not sure what that means since usually if I don't like a novel or feel either very apathetic or ambivalent about it, I have no interest in anything else by that author, so I guess there must have been something here to hold my interest even if I can't quite place my fingers on it.  Then again, it may just be as simple as the fact that her other novels also address the Cathars and my interest in the subject is now picqued.

Monday, January 21, 2013

Book 9: The Whites of Their Eyes

 
I'm remember reading an article about this book when it first came out, and thinking it sounded incredibly fascinating.  This book has now sat on the floor in my bedroom (two different bedrooms in two separate states, actually) for so long that I can't even find the blog post that first mentioned it because I think that blog switched servers - assuming I'm even correct as to where I first heard about this book.  Additionally, it seems like the Tea Party is slowly peetering out.  Oh, there are still plenty of super conservative people around, but I don't think they are rallying to the call of the Tea Party anymore.  Of course, I could be mistaken here but does seem to be the impression I get based on news, blogs and election results.  So yes, while this book certainly takes a look at an interesting topic (the misappropriation and misinterpretation of history), the specific moment the author is exploring may already be past.
 
While I quite liked the premise of this book, I have to say the execution left me slighlty dissatisfied, and that I believe has a lot more to do with me than the book.  I think Lepore was attempting to start a discussion, and this slim volume would certainly do so.  However, I was left wanting more details about both the present interpretations of history and the past, the actual events that happened.  Of course, this book never claimed to be about the history of the Revolution and its events; she mentions several events focusing on the Boston and Massachusetts area (I admit while I was reading about all the grievances regarding events in Boston, I kind of started wondering why the rest of the colonies agreed to go to war as well - there was certainly nothing listed about grievances that the rest of the nation faced), and talks about how certain events were barely remembered until later brought back into focus.  For example, the Boston Massacre Anniversary (the colonials certainly had a good grasp on propaganda - an armed, riotuous crowd does not an innocent assembly make) was always celebrated, but the anniversary of the destruction of the tea wasn't even really noted until many years later when one of the last survivors was used by a political party.  Similarly, no one paid much attention to Paul Revere's ride or remembered it until Hawthorne wrote a poem prior to the Civil War.  The book is full of interesting tidbits like this, and overall when she digs into a discussion or argument, it really is interesting.  I just wish there had been more.
 
She also argues that some of the problems with history right now go back to the Bicenntennial when academic historians failed to put a proper meaning to the anniversary - something that academia might not find necessary but something that the American people perhaps needed.  Academia has lately been much more focused on the social movements, rediscovering lost voices and discussing these types of more problematic pieces of history so that the far right and popular historians have taken over the idea of the "Great Man," publishing various biographies that basically make every single founding father (a term that didn't come into use until Woodrow Wilson) singlehandedly responsible for the course of history and the American Revolution.  Of course, this means some of the more problematic fathers are either dismissed by certain political elements (such as Thomas Jefferson) or only parts of their history survive, such as Thomas Paine.  Somehow his writings on his lack of interest in religion aren't really addressed when people try to argue that our nation was founded as a religious nation.
 
She introduces the men involved in the Revolution as complex, flawed men with conflicting opinions, and says that it is absolutely not correct to try to determine what they would do in current situations.  After all, by setting up this nation they were very definitely not looking to their forefathers.  The other parts I liked were when she discussed how the American Revolution has been interpreted and used in the past - after all, the Tea Party are not the first to make history fit their own design; it was done by both sides during the Civil War and various other groups before and since.
 
Overall, it isn't a bad book at all, but it seemed like there was less about the Tea Party than I expected there to be.  Certainly most of the topics she addresses could be turned into much larger books on that topic alone - for example, I would now love to read a book that tracks how history or certain events have been interpreted over the years.  There were also quite a few fun pieces of information that I wasn't completely aware of before, not that I think trivia would ever get that specific.  Unfortunately, I think I wanted more meat, otherwise I probably would have enjoyed this more.

Saturday, January 19, 2013

Book 8: Gates of Fire

 
I can't even say how long this novel has been sitting in my to read pile at this point.  I like ancient history, and I know quite a few people who enjoyed this so I guess I always felt like it was something I should read but never quite felt like I was in the mood for it.  Basically, this year I'm trying to read at least a few novels that have been sitting around forever, so I decided to take a stab at Gates of Fire.
 
This is the story of the Battle of Thermopylae as told by Xeones, a Spartan squire, to Xerxes, the Persian ruler, and recorded by his historian.  Xeones's words make up the majority of the narrative, but the historian has a few parts, which are italicized, adding background information as well as telling of the events that occurred during the rest of the war between the Greeks and the Persians.  After the Battle of Thermopylae, Xeones is discovered, clinging to life (though he wants nothing more than to join his comrades in arms in death but someone must tell their tale), and Xerxes orders for his story to be transcribed in order to gain some type of understanding of what types of men withstood his forces for such a long time against insurmountable odds.  While Xeones explains that he is a simple man, merely a squire, and not one of the three hundred peers and nobles that the Spartans sent, he defers and tells his story for the record.
 
Xeones is not from Sparta, coming originally from Astakos, but he has not entered into Spartan life in the normal manner of an outsider, either.  The Spartans did not conquer his people in war, and turn him into a slave; instead, Xeo's home is attacked by the Argives when he is young, and he decides then that he wants to join the Spartans in whatever manner possible because they "make men."  After hiding in the forests for two years with his cousin Diomache and his family's teacher and slave, Xeo makes his way to Sparta.  Eventually gaining the position of squire, he comes into contact with the great men and warriors that will make up the three hundred peers.  As Xeones reflects back on his life, attempting to explain exactly how Spartan society creates the warriors it does, he jumps back and forth in the timeline quite a bit, being reminded of tangents as he remembers various anecdotes and stories.  Usually, I don't mind jumping around in narratives but since it took me a while to get used to the rhythm of the plot, the names and places, it did hinder me in getting as absorbed into the story as I normally would have.  While Xeo becomes friends/ starts out as a squire for Alexandros, eventually Alexandros's mentor Dienekes takes Xeones as his second squire, placing his squire Suicide as Alexandros's because a young man needs an older wiser man to keep him out of trouble.  Xeones tells of a variety of different Spartans, and Dienekes and his wife were the ones that were of the most interest to me.  A large portion of the narrative is also dedicated Alexandros, and I can see where the author was going with the character - a type of underdog, a man that is almost too honest, kind hearted and earnest for his warrior society yet still tries to fight honorably, but something about the character just didn't interest me at all.  I believe that was the other reason for my initial difficulty with enjoying the story - too much of the beginning is about Alexandros.
 
In fact when Xeones discusses some of the initial training for the teenaged boys, he discusses one teacher in particular that had it out for Alexandros - it basically sounds like every coming of age story ever with the bully and everything.  Still, once the novel shifts to the events of Thermopylae, it is impossible not to get wrapped up in the flow of the battle, the heroics of the characters and the tight brotherhood they form in the face of adversity.  While the first few chapters certainly held my interest, I wasn't quite sure how I'd feel about the novel overall, especially during the training scenes.  However, I ended up enjoying it quite a lot, even if it wasn't quite a style I usually read that much.  I always feel like I should be more interested in military history and the tactics involved, but usually I'm happy reading about the socio-political events surrounding the war rather than stories of the battles themselves.  I can't say I'm going to rush out to read more novels like this, but I'm glad I have finally tackled this.

Friday, January 11, 2013

Tentative Reading List for the Keyword Challenge

I was going through my pile of books at the house to find some candidates for the 2013 Keyword Reading Challenge, and have a tentative list for the year.  It may change because I'm more enthusiastic about some of these choices than others.  I'll sporadically add links and updates to this as the challenge continues and I have reviewed novels, or as my reading list changes.
January (winter, snow, silver, white, cold, shiver, smoke, fire, freeze, breath): Gates of Fire by Stephen Pressfield, The Whites of Their Eyes by Jill Lepore, The Winter Ghosts by Kate Mosse
Total: 3
March: (luck, wish, gold, rainbow, green, mountain, valley, magic, farm, treasure): The Magicians by Lev Grossman, City of Dark Magic by Magnus Flyte, Black Swan Green by David Mitchell
Total: 3
August (come, look, gift, cloud, food, clear, tree, orange, test, broken): Oranges Are Not the Only Fruit by Jeanette Winterson, Broken Harbor by Tana French, The Dinner by Herman Koch, Vinegar Hill by A. Manette Ansay
Total: 4
September (shade, cry, blow, memory, kiss, space, fast, storm, blue, club): My Name is Memory by Ann Brashares, Blueprints for Building Better Girls by Elissa Schappell
Total: 2
October (witch, haunt, murder, death, phantom, inside, fear, weapon, trapped, ghost): The Ghost Bride by Yangsze Choo, The Ghost Map by Steven Johnson, The Brief History of the Dead by Kevin Brockridge
Total: 3

Monday, January 07, 2013

Book Challenges

While I've been participating in the Cannonball Read for what will now be five years running, I thought it might be fun to add some other book challenges.  I'm always reading about different ones peopel are doing on book blogs, and I feel like it could help me branch out a bit as far as my reading goes and hopefully discover new authors.
The first one I want to do is the Mount TBR Challenge as I'm sure my dad will be glad to hear.  The idea?  Read books from your to read pile or "mount."  Any books owned prior to 1 JAN 13 qualify.  Guess it's a good thing I went on my post Christmas shopping spree before 1 Jan.  I'm going to start at Mount Vancouver (36 books) though I can always go for more.

 
 
The next one that appeals to me is one that has a list of keywords for each month, and the idea is to read a novel each month that has one of those key words in the title.  Sounds like it could be fun.  I know I have at least one book in my TBR pile that includes the word "winter" so that would take care of two birds, one stone.
monthly key word challenge
I read a lot of historical fiction.  Not as much as I used to, and I try to incorporate nonfiction more, but in general, I'd say fantasy and historical fiction are my most read genres.  In fact I just started the first of historical fiction trilogy.  As a result, I'm going to sign up for the 2013 Historical Fiction Reading Challenge, aiming for Medieval level with 15 books.
I don't think I'm really going far out of my comfort zone on any of these but I figure I'll get to read some interesting reviews this way, and feel a bit more obligated to work through my pile of unread books rather than simply adding more to it.