Book 59: The World We Found

The World We Found by Thrity Umrigar

 

Umrigar is one of those authors whom I always enjoy, and while the descriptions of her novels sound like they have the potential to be cliche-ridden, I'm always pleased with the end results.  In general, her novels tend to deal with difference between classes, between cultures (America vs. India), religions, and often have her older Indian characters looking back and reflecting on their teen and college years as opposed to their current positions though of course some novels focus on certain themes more than others while some address them all.  All of these themes are seen again in The World We Found.

 

Armaiti, Laleh, Kavita and Nishta were inseparable in college, and they considered themselves revolutionaries - they engaged in long political discussions, attended rallies, and believed in the possibility of change.  Thirty years later, they are around 49, 50 years old and lead lives far different from the ones they would have imagined for themselves.  Armaiti left Bombay, married an American and has lived there for years; Laleh is a middle to upper class housewife with a successful husband.  She still believes in the ideals of her youth but she has the benefits of the well-to-do.  Kavita gave up the struggle after on particularly humiliating event, and is now an architect who still struggles with her personal life and those secrets.  Kavita and Laleh see each other often, but the rest of the group has drifted apart and lost contact, until Armaiti is diagnosed with a brain tumor, and decides it is her dying wish to see her friends one last time.  This leads Laleh and Kavita to seek out Nishta, who had distanced herself shortly after her marriage to a Muslim.  They are surprised to find that the passionate and liberal Nishta and Isqual have both changed, with him becoming a very devout and strict Muslim, struggling financially and displaying little of the passion that once bound them together.

 

As the women attempt to plan their reunion, they remember their pasts, and confront the differences between who they were and who they have become.  They also question why they drifted apart, finally confronting long held secrets and beliefs that have led to their estrangement, realizing how trivial some of the matters that have influenced their lives truly were.

 

I think my favorite one of hers is still The Space Between Us, but I would certainly recommend this one as well as it shows Umrigar's ability to write detailed characters, their internal conflicts and how they fit into present day India and its past.  The novel doesn't tie things up, ending on a note of hope but with questions about the future for them all.

Book 58: NOS4A2

NOS4A2 by Joe Hill

 

I may be in the minority here, but I didn't like this novel as much as Joe Hill's previous novels.  I think part of it is that I didn't read the description of the novel too closely, and basically ordered it because it was by Joe Hill, and I assumed that it would be about vampires based on the title.  I was excited to see Hill's take on vampires, especially given his father's treatment of them in Salem's Lot.  However, while the character referred to in the title certainly has vampiric qualities, sapping life energy from others to remain alive, it isn't a straight up vampire story as I expected.  Additionally, I like Stephen King a lot, but one thing I've enjoyed about Joe Hill is that even though he works in the same genre as his father, his voice is very different and distinct.  This novel reminded me more of his father than any of his previous works, which isn't a bad thing, but it felt odd.

 

The novel begins with a creepy prologue, introducing the now comatose Charles Talent Manx, the novel's villain.  Of course, this is a horror story, so the reader immediately knows that there is no way this man will stay incapacitated.  From here, the story flashes back in time to its protagonist, Victoria, or the Brat.  After their return from a family holiday, 8 year old Victoria's parents begin to fight about a lost bracelet, and Victoria wants to end their fight.  She runs off with her trusty bicycle, and discovers that she can make a bridge with her mind that will take her to the things she is looking for.  She doesn't mention it to anyone, and makes up cover stories for how she found the lost items, which she even believes herself though she knows the truth deep down.  As she gets older, she has questions about this ability, and the bike leads her to a person with answers.  Victoria is not the only one with this type of skill, though in manifests differently in everyone, the one common factor being that all of the people have talismans, such as Victoria's bike.  However, the use of these skills takes a toll, exhibiting as illnesses and eye issues in the case of Victoria.  During this conversation, she also learns of Charles Talent Manx, a man that has been using this ability to keep himself alive and kidnapping children in the process.

 

Due to family issues, Victoria ends up as a rather rebellious teenager, and one night, while looking for trouble, her bike takes her to Manx's house in Colorado.  Her unexpected arrival throws a kink into his plans, and he ends up getting caught by the authorities, arrested and sentenced.

 

The novel then flashes forward to the adult Victoria, who lives in Colorado, and has a son, Bruce Wayne, with the man that helped her when she escaped from Manx.  Victoria is incredibly screwed up - she is haunted literally and figuratively by the events that occurred, and still receives phone calls from the kidnapped children asking for their father, Charlie.  She is an alcoholic, she believes she is crazy, and though she has strength and skills, she is also very dysfunctional.  Once Charles miraculously regains consciousness and freedom, he decides that his next victim will be Wayne, and Victoria must keep it together long enough to save her son from his clutches.

 

I feel like I went into quite a bit of detail but the description of the novel actually gives away this much of the plot, and it is a seven hundred page book.  I actually didn't really warm up that much to Victoria though I thought her portrayal was very realistic and reasonable.  The story worked very well within its own logic though I think I was hoping for something where the other worldliness didn't come into play until much later.  Unfortunately for that, the bridge was introduced within the first ten pages.  I think I tend to prefer horror stories that seem to be normal until things just aren't (see many King novels that start grounded in reality and then aren't - NOS4A2 was grounded in reality the majority of the time except for that one thing that is introduced in the very beginning) - Horns had a similar beginning where the main character had horns on the first page, and the story developed from there, but it worked for me more in that novel. 

 

Joe Hill also had quite a few pop culture references including Firefly, Dr. Who, and Harry Potter, though I think the one I was most pleasantly surprised by was Cloud Atlas.  I know a few readers mentioned some nods to Stephen King's work as well, and that actually leads me to a question - one of the characters refers to something called the True Knot.  The Stephen King novel coming out in September refers to the True Knot in the description - so was this something that came up in a previous King novel that I don't remember or was there some father/son collaboration while they were writing these novels?  The other thing I would say is that Manx's helper very much had the feel of a character from a King novel.  Overall, it was a well-structured novel, and it was definitely a page turner but it wasn't what I was expecting, and it seemed much more influenced by Stephen King than Hill's other work.  I think most people would still enjoy this since it is certainly a good horror novel, I just think I expected something even better or different.

Book 57: The Lost Hero

The Lost Hero (Heroes of Olympus, Book 1) by Rick Riordan

 

While it isn't necessary to read Riordan's Percy Jackson and the Olympians series prior to this novel, The Lost Hero takes place afterwards so the reader will be missing some background.  Since this novel focuses on three characters that are new to this world, however, it is very easy to just follow and learn along with them, while realizing that there are past relationships and nuances that you aren't in on.  The Percy Jackson series is fun, and there are only five, so they are definitely worth checking out and this book contains minor spoilers for that series, at least regarding whether certain characters lived or died (Riordan does a good job of not giving away much about the big events and twists, though).

 

The novel begins when Jason, one of the three new heroes, wakes on a bus, surrounded by strangers, unable to remember anything about himself.  The first two students to address him are Piper, who says she is his girlfriend, and Leo, apparently his best friend.  After an attack from a wind spirit, they are rescued, and introduced to a whole new supernatural world, one in which gods truly exist, and they are demigods, the offspring of a human and a Greek god.  Piper and Leo are quickly claimed by their supernatural parents, though Jason isn't.  However, as confused as he is, Jason appears to have some familiarity with what is going on, recognizing the gods, the symbols, and much of the mythology, even if he keeps using the Roman rather than the Greek terms.  All three are under a spell or mist - Piper and Leo have been made to believe that they know Jason while Jason's memories have been taken.  Soon after their arrival, they are given a quest to free Hera from her captors.  In the process, they hope to find out what is going on with Jason and why, and Piper has her own motivations as well.

 

Meanwhile, Annabeth is attempting to find Percy who has gone missing.  A prophecy told her that Jason was a clue of sorts, so though she continues on her mission, she hopes this quest will lead to answers about Percy.

 

I thought this was a very fun read, and even though it takes the heroes awhile to put two and two together regarding Jason's background and mysterious appearance, I enjoyed it.  There are various hints about what may be going on, and the teachers appear to know even if they are forbidden from talking about it.  I was actually surprised Annabeth didn't figure it out much sooner, but it will definitely be fun to see where the story goes from here.  I also enjoyed the ways that Riordan used this novel to explain the differences between Greek and Roman gods early on, when even Annabeth, Camp Halfblood resident genius, thought they were the same with new names.

 

I can't wait to read the rest of the series, and Riordan is rather reliable as far as publishing goes.  I just wish the paperbacks came out more quickly (maybe it's just me, but if the sequel is out in hardback, that means all preceding novels should be available as paperbacks).  I also wish the Percy Jackson movie had been more successful (and better made from what I hear) because this could have been such a fun series to watch onscreen, especially since each novel covers one quest rather than one school year like the Potter series.

Book 56: Where Late the Sweet Birds Sang

Where Late the Sweet Birds Sang by Kate Wilhelm

 

I actually picked this novel up at the college bookstore back when I was a college senior because it was being used in a class I didn't have room for in my schedule.  I then never actually got around to reading it because every time I picked it up, the first paragraph just seemed oddly impersonal and distant to me.  I finally realized recently that it would actually fit into the Keyword Challenge I was participating in this year, and moved it into the short term to read pile (or in sports terms, it went from bench warmer status to on deck).

 

 The novel is set at an undetermined time in the United States, but definitely the future.  The world is facing huge environmental issues, and societies are close to the brink of collapse.  David is a member of a large yet close knit family that has been very successful, spawning doctors, researchers, and department store owners among other things which gives them useful skills and resources.  The family's leadership can see the epic crisis that is looming, and as a result, the family comes closer together, all relocating to the patriarch's land under the guise of building a hospital.  This gives them access and reason to buy a large amount of medical supplies and equipment without looking suspicious.  In reality, the hospital is a front for Walt, David's uncle, to run his experiment in the caves with the assistance of other medical professionals, both in and out of the family.  The only solution Walt and David can see to the future of the family and humankind is cloning.  The livestock aren't breeding successfully, and neither are humans.  Research suggests that after a certain generation of cloning, the specimens regain the ability to breed naturally, so the clones are supposed to be a kind of stop gap to prevent humanity (and their livestock) from going extinct before allowing nature to once again take its course.

 

The novel follows the collapse of society, and the beginnings of this secluded life on the farm, but David sees that their plans may not go as desired before he dies - the clones have developed ideas of their own about the future of society.  From here the novel jumps forward, to a society of clones.  While the society functions well enough, they are also at the point where they must explore their surroundings to continue to thrive, and salvage what they can from the abandoned, dead cities.  It is here that this community reveals its weaknesses which are very much related to the lack of individualism and lack of creativity.  At this point, the clones have no idea what their original function was as previous clones have rewritten their history.

 

Mark is born into this, the result of a relationship between two clones that have been behaving oddly as a result of exploring the world, and his individuality allows him to see the threat to the future of humanity.

 

I actually liked the first two sections of this novel the most, seeing how the family determined what they felt needed to be done to preserve themselves and humanity.  Though this was written in the '70s, using environmental issues as the reason for the breakdown of society makes it still very much relevant to today.  I also felt like the novel did a great job of showing the problems that would eventually arise in such a homogenous society as cloning could lead to, and enjoyed the inner conflicts that the characters faced.  My biggest complaint is that the section with Mark both went into great detail about certain things, and yet wrapped up very quickly.  Wilhelm spends a good portion of narrative on his development, his childhood and his sense of difference, but I would have enjoyed more time on the resolution.  At the end, I couldn't help but wonder if a whole different issue had the potential to arise in the type of society being developed but that is a whole new discussion.  Overall, I would definitely recommend it.

Book 55: The Painted Girls

The Painted Girls by Cathy Marie Buchanan

 

While I had already bought and decided to read this novel before this review by a fellow Cannonballer (which the author even responded to!), the review certainly helped move it towards the top of the pile.  While I didn't love it as much as Jamie, I enjoyed the novel.

 

The novel is told from the alternating perspectives of Antoinette, the older sister and protector of her two younger sisters, and Marie, the middle sister, the shy one with the most schooling.  The family has always assumed that Grace, the youngest, would be the professional ballerina, especially after Antoinette's attitude got her kicked off the troupe, but after their father's death, Marie and Grace both end up trying out for positions on the same day, and both make it.  Their mother is an alcoholic, and Antoinette sees herself as their guardian, taking care of Marie and Grace to the best of her ability.  Unfortunately she meets a boy, who becomes a major distraction for her, Emile, and as a result of his influence, she soon finds herself descending the rungs of society to help him when he gets in trouble.

 

Marie doesn't understand her usually intelligent and streetwise sister's attraction to Emile, but it isn't exactly a topic Antoinette is willing to discuss.  Instead, Marie focuses on her training, works extra jobs to help with her progression, and even is paid to model by Edgar Degas.  This exposure helps her find a sponsor, which is both a bad and a good thing.  The older rich man that takes an interest in her helps her monetarily but some of his interest is definitely less than kosher and makes the naive Marie uncomfortable.

 

I admit, I was expecting a slightly different story than the one I read - since the novel charts the progression of two sisters, one who is a descending star in the ballet world, while the other is on her way down, falling victim to the seedier side of Paris, I think I was expecting the high to be higher, though the low was rather low.  However, what I thought worked very well is the way that the sisters' success and failures paralleled each other - Marie may have been becoming more popular and accomplished in the theater but how much did the things she ended up doing truly contrast with her sister's actions?

 

While Marie and Antoinette have their differences, it is their relationship that anchors the novel, even if at points other things and people take priority.  The three sisters are actual historical figures and Emile is also pulled straight from history.  Of course, the idea that they ever interacted is the author's imagination, so while some of the big facts of their lives are used in the story, the feelings and things that drove them to those outcomes are conjecture on the author's part.  I actually liked the fact that the main characters of this historical fiction novel had a basis in reality beyond "this could have happened."  Still, I didn't get quite that attached to the characters, and I'm not sure whether that is because I didn't care as much about the relationship between sisters or because I've read so much historical fiction that it takes quite a lot to stand out to me.  As a result, while I liked the novel, it didn't hook me in the way it did some other readers.  And let's be honest - I've always been much more of an Anglophile than a Francophile.  While I've always felt the need to branch out, the fact is Paris just never entices me the same way that London does.  This isn't the novel's fault, but may very well be one of the reasons I didn't connect to this more.  Still, the novel is well-written, and I liked the concept behind the writing, showing that the author actually put some thought into this and some research.

Book 54: Faceless Killers

Faceless Killers by Henning Mankell

 

I keep seeing the Kurt Wallander series at the bookstore, and since I wanted to read a novel by a Swedish author, I decided to give the first novel in the series a shot.  While there were some things I liked about this, I also found myself comparing it unfavorably to the Harry Hole series.  Of course, this novel came out long before Harry Hole became popular in the States, so some of the cliches in this novel may not have been quite as cliched when this was originally published.

 

The novel begins with the murder of the elderly couple in the country who are discovered by their neighbors.  The violence and randomness of the crime shock the nation, and Kurt Wallander is assigned to the case.  Kurt's wife has left him, his relationship with his daughter is almost non-existent, he is struggling with his weight, and in this novel, he also is making bad decisions when it comes to drinking.  However, he isn't a loose but brilliant cannon in the lines of Harry Hole, and in fact, comes off as occasionally incompetent.  The wife of the elderly couple actually lived long enough to make it to the hospital and utter the word foreign, so in addition to facing a brutal crime, Wallander has to find the murderer soon enough to prevent any racially motivated crimes from occuring as a result of the tensions the murders cause to flare up.

 

I actually liked this part of the novel.  Mankell shows us the slow investigation, with very few clues, and several possible motivations but none that truly stand out.  The fact that this isn't some incredibly intricate case and instead something that probably resembles life was actually interesting.  The murders lead to a hate crime which is solved more quickly than the main case of the novel.

 

The issue I mostly had is that Wallander isn't really a character I felt that invested in. While Hole makes mistakes, you still find yourself rooting for him to figure it all out.  In the case of Wallander, I just kept thinking "stop bumbling around with your personal life."  He becomes interested and makes a pass at a married prosecutor which honestly just pissed me off and made me not like him.  Actually, I don't think I would have minded him making a verbal pass or slightly flirting with her, but the fact is he becomes a bit forceful.  I can deal with a lot of things, and I realize detective novels aren't always the most gender friendly, but don't have the hero act like an entitled, sexist asshole and still expect me to want to read about him.  He apologizes the next day with flowers, but seriously?  This is supposed to be the flawed protagonist?  There still needs to be something interesting or likable about him.  Wallander on the other hand is a middle aged guy that doesn't know how to deal with his family, is having a bit of a midlife crisis as a result of his wife leaving him and is taking to drinking.  This makes him a realistic enough character but I'm not sold on him being a great cop, nor am I sold on him being a good person who is having some bad luck given his forceful pursuit of a married woman that didn't express an initial interest.

 

Since I actually liked the approach to the mystery, and this was a very quick read, I would be willing to give the series another shot before completely writing it off.  Maybe once Wallander has processed his impending divorce more, there will be a redeemable character hidden underneath.

Book 53: Stolen

Stolen by Kelley Armstrong

 

I've taken a bit of an unplanned break from reviewing, and have also fallen a bit behind on my reading in general (so this is what having a bit of a social life does - I'm not sure if I approve), but figured it was time to get back to it.  Stolen is the second novel of the Women of the Otherworld series, and so far, I'm definitely still hooked.  While investigating a potential threat to exposing werewolves to the public, Elena discovers that werewolves are not the only supernatural beings in the world when she realizes that the people she is meeting with are witches.  This meeting leads to the introduction of vampires, demons and other beings into Armstrong's world.  Elena is a bit surprised to find out that werewolves aren't alone in the world, and while it is easy for the reader to thing "well, if there are werewolves, why wouldn't there be these other things?", it actually makes sense in a way.  It's easy to think of being able to change one's body has some weird genetic mutation but witchcraft?  That's a whole different level.

 

This gathering of supernatural forces is in response to a common threat.  A group of scientists, sponsored by a tech millionaire (billionaire) are kidnapping supernatural beings for nefarious purposes - research, money making schemes, gaming ... as the only female werewolf, Elena is of special interest, and is soon targeted and captured, leading to various adventures as she attempts to learn as much as she can and escape.

 

Since Armstrong wasn't tied down as much with introducing her main character, this novel moved along much more quickly than the previous one, and it also helped that Elena had by this point come to accept herself rather than fighting with the parts of her personality she was unsure about it.  Additionally, even though Armstrong introduces quite a few new characters, she only develops the ones important to the story, relying on the fact that there will be later novels to flesh others out more.  With the influx of new characters, she was also smart about how she handled old characters, sending a few off to a trip on Europe, thus avoiding cluttering the book just so the readers could see familiar faces.  My one complaint about the previous novel was the lack of female characters which this novel nicely gets rid of, introducing several women in both the supernatural setting, and in the lab/prison.  So far I'm definitely happy with the series - as far as seriousness vs lightheartedness, I feel like it ranks somewhere between The Dresden Files and The Stackhouse Series - Elena is a fairly competent character (Sookie wasn't incompetent, but I feel like she got rescued more), but at this point, I don't think series has gone as dark as The Dresden Files occasionally do.  It might help that unlike Harry, Elena actually gets to have sex fairly often.